A clear-eyed exploration of the career of Leon Trotsky, the tragic hero who "dreamed of justice and then wreaked havoc," by a leading expert on human rights and the former Soviet Union Born Lev Davidovich Bronstein in southern Ukraine, Trotsky was both a world-class intellectual and a man capable of the most narrow-minded ideological dogmatism. He was an effective military strategist and an adept diplomat, who staked the fate of the Bolshevik revolution on the meager foundation of a Europe-wide Communist upheaval. He was a master politician who played his cards badly in the momentous struggle for power against Stalin in the 1920s. And he was an assimilated, indifferent Jew who was among the first to foresee that Hitler's triumph would mean disaster for his fellow European Jews, and that Stalin would attempt to forge an alliance with Hitler if Soviet overtures to the Western democracies failed. Here, Trotsky emerges as a brilliant and brilliantly flawed man. Rubenstein offers us a Trotsky who is mentally acute and impatient with others, one of the finest students of contemporary politics who refused to engage in the nitty-gritty of party organization in the 1920s, when Stalin was maneuvering, inexorably, toward Trotsky's own political oblivion. As Joshua Rubenstein writes in his preface, "Leon Trotsky haunts our historical memory. A preeminent revolutionary figure and a masterful writer, Trotsky led an upheaval that helped to define the contours of twentieth-century politics." In this lucid and judicious evocation of Trotsky's life, Joshua Rubenstein gives us an interpretation for the twenty-first century.

A gripping account of the months before and after Stalin's death and how his demise reshaped the course of twentieth-century history Joshua Rubenstein's riveting account takes us back to the second half of 1952 when no one could foresee an end to Joseph Stalin's murderous regime. He was poised to challenge the newly elected U.S. President Dwight Eisenhower with armed force, and was also broadening a vicious campaign against Soviet Jews. Stalin's sudden collapse and death in March 1953 was as dramatic and mysterious as his life. It is no overstatement to say that his passing marked a major turning point in the twentieth century. The Last Days of Stalin is an engaging, briskly told account of the dictator's final active months, the vigil at his deathbed, and the unfolding of Soviet and international events in the months after his death. Rubenstein throws fresh light on the devious plotting of Beria, Malenkov, Khrushchev, and other "comrades in arms" who well understood the significance of the dictator's impending death; the witness-documented events of his death as compared to official published versions; Stalin's rumored plans to forcibly exile Soviet Jews; the responses of Eisenhower and Secretary of State Dulles to the Kremlin's conciliatory gestures after Stalin's death; and the momentous repercussions when Stalin's regime of terror was cut short.

The Unknown Black Book provides a revelatory compilation of testimonies from Jews who survived open-air massacres and other atrocities carried out by the Germans and their allies in the occupied Soviet territories during World War II Ukraine, Belorussia, Lithuania, Latvia, Estonia, and Crimea. These documents are first-hand accounts by survivors of work camps, ghettos, forced marches, beatings, starvation, and disease. Collected under the direction of two renowned Soviet Jewish journalists, Ilya Ehrenburg and Vasily Grossman, they tell of Jews who lived in pits, walled-off corners of apartments, attics, and basement dugouts, unable to emerge due to fear that their neighbors would betray them, as often happened."

In an abridged translation that retains the grace and passion of the original, Klots and Ufberg present the stunning memoir of a young woman who became an actress in the Gulag. Tamara Petkevich had a relatively privileged childhood in the beautiful, impoverished Petrograd of the Soviet regime's early years, but when her father-a fervent believer in the Communist ideal-was arrested, 17-year-old Tamara was branded a "daughter of the enemy of the people." She kept up a search for her father while struggling to support her mother and two sisters, finish school, and enter university. Shortly before the Russian outbreak of World War II, Petkevich was forced to quit school and, against her better judgment, she married an exiled man whom she had met in the lines at the information bureau of the NKVD (People's Commissariat of Internal Affairs). Her mother and one sister perished in the Nazi siege of Leningrad, and Petkevich was herself arrested. With cinematic detail, Petkevich relates her attempts to defend herself against absurd charges of having a connection to the Leningrad terrorist center, counter-revolutionary propaganda, and anti-Semitism that resulted in a sentence of seven years' hard labor in the Gulag. While Petkevich became a professional actress in her own right years after her release from the Gulag, she learned her craft on the stages of the camps scattered across the northern Komi Republic. The existence of prisoner theaters and troupes of political prisoners such as the one Petkevich joined is a little-known fact of Gulag life. Petkevich's depiction not only provides a unique firsthand account of this world within a world but also testifies to the power of art to literally save lives. As Petkevich moves from one form of hardship to another she retains her desire to live and her ability to love. More than a firsthand record of atrocities committed in Stalinist Russia, Memoir of a Gulag Actress is an invaluable source of information on the daily life and culture of the Soviet Union at the time. Russian literature about the Gulag remains vastly underepresented in the United States, and Petkevich's unforgettable memoir will go a long way toward filling this gap. Supplemented with photographs from the author's personal archive, Petkevich's story will be of great interest to general readers, while providing an important resource for historians, political scientists, and students of Russian culture and history.

In the spring and summer of 1952, fifteen Soviet Jews, including five prominent Yiddish writers and poets, were secretly tried and convicted; multiple executions soon followed in the basement of Moscow's Lubyanka prison. The defendants were falsely charged with treason and espionage because of their involvement in the Jewish Anti-Fascist Committee, and because of their heartfelt response as Jews to Nazi atrocities on occupied Soviet territory. Stalin had created the committee to rally support for the Soviet Union during World War II, but he then disbanded it after the war as his paranoia mounted about Soviet Jews. For many years, a host of myths surrounded the case against the committee. Now this book, which presents an abridged version of the long-suppressed transcript of the trial, reveals the Kremlin's machinery of destruction. Joshua Rubenstein provides annotations about the players and events surrounding the case. In a long introduction, drawing on newly released documents in Moscow archives and on interviews with relatives of the defendants in Israel, Russia, and the United States, Rubenstein also sets the trial in historical and political context and offers a vivid account of Stalin's anti-Semitic campaign. Published in association with the United States Holocaust Memorial Museum

Andrei Sakharov (1921-1989), a brilliant physicist and the principal designer of the Soviet hydrogen bomb, later became a human rights activist and--as a result--a source of profound irritation to the Kremlin. This book publishes for the first time ever KGB files on Sakharov that became available during Boris Yeltsin's presidency. The documents reveal the untold story of KGB surveillance of Sakharov from 1968 until his death in 1989 and of the regime's efforts to intimidate and silence him. The disturbing archival materials show the KGB to have had a profound lack of understanding of the spiritual and moral nature of the human rights movement and of Sakharov's role as one of its leading figures.